凯伦·阿迪夫是爱尔兰一位深受喜爱的著名女演员，经常在爱尔兰和国际舞台上扮演各种角色，并多次荣获大奖。她出演过几部世界著名的故事片，如《依芙琳》和《这是我父亲》等。《我脸上的秘密》是她的长篇小说处女作。

在线阅读本书 The narrator is a scientist hideously deformed in a laboratory accident - a man who has lost his face and, with it, connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such mask is more than a disguise: it is an alternate self - a self that is ca...(展开全部)

Like an elegantly chilling postscript to The Metamorphosis , this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by ...(展开全部)

Like an elegantly chilling postscript to The Metamorphosis , this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by ...(展开全部)

在线阅读本书 The narrator is a scientist hideously deformed in a laboratory accident - a man who has lost his face and, with it, connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such mask is more than a disguise: it is an alternate self - a self that is ca...(展开全部)

Gathering for the first time all of Claude Levi-Strauss's writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist's dictum that to understand one's own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Levi-Strauss's early intellectual growth, and between ...(展开全部)

Gathering for the first time all of Claude Levi-Strauss's writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist's dictum that to understand one's own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Levi-Strauss's early intellectual growth, and between ...(展开全部)

Little did Anthony Cade suspect that a simple errand on behalf of a friend would drop him right in the middle of an international conspiracy. Why were Count Stylptichs memoirs so important? And what was King Victor really after?

罗贝托・波拉尼奥（Roberto Bolaño，1953—2003） 出生于智利，父亲是卡车司机和业余拳击手，母亲在学校教授数学和统计学。1968年全家移居墨西哥。1973年波拉尼奥再次回到智利投身社会主义革命却遭到逮捕，差点被杀害。逃回墨西哥后他和好友推动了融合超现实主义、达达主义以及街头剧场的“现实以下主义”（Infrarealism）运动，意图激发拉丁美洲年轻人对生活与文学的热爱。1977年他前往欧洲，最后在西班牙布拉瓦海岸结婚定居。2003年因为肝脏功能损坏，等不到器官移植而在巴塞罗那去世，年仅五十岁。 波拉尼奥近四十岁才开始写小说，作品数量却十分惊人，身后留下十部小说、四部短篇小说集以及三部诗集。1998年出版的《荒野侦探》在拉美文坛引起的轰动，不亚于三十年前《百年孤独》出版时的盛况。而其身后出版的《2666》更是引发欧美舆论压倒性好评，均...(展开全部)